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- Title
SPECTACOL ȘI SPECTACULOZITATE ÎN LUCRAREA „SEMINARUL MUZICAL" A COMPOZITORULUI GHEORGHE COSTINESCU.
- Authors
HRIOR, Ioana Andreea
- Abstract
The work "The Musical Seminar" by composer Costinescu is a stage work for 5 instrumentalists who both play and act, with additional musicians, 4 actor-mime-dancers, a "group/crowd of people from the street", and an electronic tape recording. The score is divided into four consecutive parts, performed without interruption, a quadripartite composition: part I - „...From the beginning of a certain music"; part II - „The linguistic musical styles"; part III - „The 'musical' musical styles"; part IV - „Toward the end... of which music". The work represents a demonstration of spectacle, both through the newly introduced elements of the performing arts - actors, mimes, sound objects, recorded tapes, sirens, etc. - as well as through their harmonization into a dramatic structure highlighted by dissonances and consonances. The entire work is a shaping of the modern world, of contrasts, of stridencies, but also of nostalgias, of reveries, as if the chaos perceived in society had a chance to organize harmoniously through the imaginary, which for the author is like an ever-flowing river, a river without end.
- Subjects
MUSICAL style; DRAMATIC structure; ELECTRONIC records; MIMES; INSTRUMENTALISTS; PERFORMING arts
- Publication
REVART: Specialized Review of Theory & Critique of Arts, 2023, Vol 43, Issue 3, p7
- ISSN
1841-1169
- Publication type
Article