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- Title
THE NEW AUTOMAT.
- Abstract
In the past decade, technologies originally designed to store and manipulate scientific data have entered the art arena. The most important of these is digital technology, which gives users the ability to translate images, sounds, and text into storable electronic codes that can then be strategically recombined using personal computers artists can afford. In 1996, after optimistic excitement in some quarters about the limitless potential of this development, and fear of imminent obsolescence of the "photographic aesthetic" in others, the digital tools have pretty much been absorbed, to one end or another by the North American community of artists using photography.
- Subjects
UNITED States; DIGITAL images; DIGITAL technology; PERSONAL computers; ART museums; PHOTOGRAPHY; HISTORY of photography
- Publication
Image, 1996, Vol 39, Issue 3/4, p18
- ISSN
0536-5465
- Publication type
Article