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- Title
Cuadros en movimiento: la pintura en el cine. Relaciones intermediales en La hora de los valientes (Mercero 1998) y Te doy mis ojos (Bollaín 2003).
- Authors
Ugalde, Esther Gimeno
- Abstract
The objective of this article is to study the relationship between cinema and painting from an intermedial perspective by analysing two Spanish films: La hora de los valientes (Antonio Mercero 1998) and Te doy mis ojos (Icíar Bollaín 2003). We intend to compare how the respective directors use painting to construct and enrich the cinematographic story and to analyse what narrative and artistic role the paintings play in the filmic text. The study of the two films will serve to illustrate our initial hypothesis, that painting is used not only for artistic and narrative purposes, but also to make the spectator a witness of a twofold drama: the individual and the collective. The exchange of looks which permeates the diegesis places painting to the forefront, whilst determining the interpretation of the filmic text.
- Subjects
SPAIN; PAINTING &; motion pictures; SPANISH films; TE doy mis ojos (Film); LA hora de los valientes (Film); INTERMEDIALITY; MOTION pictures &; society
- Publication
Olivar, 2011, Vol 12, Issue 16, p215
- ISSN
1515-1115
- Publication type
Article